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The Iconoclastic State and Visible Publics

2018-01-14T15:45:41+00:00 March 19th, 2017|Categories: Inspiration, News|Tags: |

Curator Sarah Rifky recalls the role played by Oliver and Tellervo Kochta-Kalleinen’s Complaints Choir in the 2010 opening of her exhibition Invisible Publics at Cairo’s Townhouse Gallery, tracing its subsequent development into an art-world phenomenon. Powered by WPeMatico