[The Daily] Hitch, Hooper, Romero, and More

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[The Daily] Hitch, Hooper, Romero, and More

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In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony . . .

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2017-11-01T12:00:49+00:00