(function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.data-privacy-src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','//www.google-analytics.com/analytics.js','ga'); ga('create', 'UA-1596564-1', 'auto'); ga('send', 'pageview');
Home » NewsBlog » From Radical to Radial: Perspectives on the Festival of Arts, Shiraz-Persepolis

From Radical to Radial: Perspectives on the Festival of Arts, Shiraz-Persepolis

Balinese Gamelan Gong Kebyar concert with traditional dancers, Open Air Theatre, 1969

Recalling the “utopian stage” of the Festival of Arts, Shiraz-Persepolis (1967–77), Vali Mahlouji outlines a pluralistic event that advanced “Third World-ism” as a postcolonial model and subverted the binary relationship of modernism and traditionalism.

Powered by WPeMatico

2018-01-14T01:13:30+00:00June 30th, 2017|Categories: Inspiration|Tags: |
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok