All visual artists have a common goal of creating an image with impact. But unlike painters who start with a blank canvas and add to it, photographers start with a sometimes chaotic scene and must decide what to remove from it. Which parts of the scene should be included and which excluded to create the greatest impact?
This rock arch, known as Mobius Arch, frames the mountains in the background.
Part of your job as the photographer job is to bring order to the chaos by deciding how to arrange the elements in the scene in your camera’s frame. You cannot just hold up your camera and expect to make an impactful image. You have to evaluate the scene and discover what elements of design are there to work with and how you are going to use them to create your composition.
There are visual clues to good composition all around you. Clues that will help you see with your photographer’s eye if you take the time to slow down and take notice of them. The elements of design are there, but sometimes you don’t notice them until you go looking specifically. That’s the key – you have to go looking for them. Once you start looking for a particular element of design, you will be surprised how often you will discover it in the world around you.
These creatures are called Valella Valella. As they wash up on shore, they create a leading line that guides the viewer’s eye into the frame.
Lines are one of the fundamental building blocks of composition. They direct the eye around an image and give the viewer a path to follow. Understanding the power that lines have in graphic design, and how different lines have different effects on the viewer, will help you add more impact to your images.
- Horizontal lines exist in almost every scene. They tend to be calming and give a sense of peace and tranquility.
- Vertical lines tend to be associated with strength and power. Think of skyscrapers, trees in a forest, or waterfalls — all features of strength and grandeur.
- Diagonal lines add energy to an image and give a sense of movement.
- Curves create a graphic design that makes an image easy to look at by leading the viewer’s eye through the frame. They can be c-curves, s-curves, arches, circles or spirals.
- Leading lines can be any type of line that leads the viewer’s eye toward the main subject.
The lines in these California sand dunes lead the viewer’s eye into the frame toward the main subject.
Colors determine the viewer’s emotional response to an image. They set the mood and determine what part of an image gets the most attention.
One of the most impactful ways to use color in your composition is to look for complementary colors. Complementary colors are opposites on the color wheel such as blue and orange, red and green, purple and yellow.
Blue and orange are complementary colors.
The human eye is drawn to patterns in the same way that our ears are drawn to the beat of music or the chorus of a song. The visual rhythm that the pattern creates makes order out of the chaos. It can give an image a sense of movement as our eyes travel from the first element to the next.
Filling the frame with a pattern is a sure way of turning a snapshot into a compelling photograph.
A pattern is simply a repetition of a graphic element such as a line, shape or color. Usually, a pattern is made up of at least three repetitions, but the more the better!
These prayer ribbons create a repeating pattern in the frame.
Despite everything we have been taught in photography about the rule of thirds and keeping things off balance and out of the middle, symmetry has always been associated with beauty. In a symmetrical composition, your main subject is placed at center stage and the eye is encouraged to travel in a circular center around the frame. This will make a scene feel harmonious and calm. But it’s a lot more difficult than it sounds!
The difference is in the details. It’s in the absolute perfection of the symmetry. A composition that is almost symmetrical will seem off and boring, one that is perfect will seem awe inspiring.
To make a photograph that is symmetrical, you will have to hone your eye to find items in the scene that are symmetrical and leave everything out of the frame that does not fit. The composition should have symmetry from corner to corner, which means that the background if there is one, must be symmetrical too.
This photo uses both symmetry and frame-in-frame as design elements.
One way to quickly add a new dimension to your subject is to give it a frame inside the boundaries of the image. The edges of your photograph are the first frame. Then, you want to add another frame around your subject, which is internal to the photograph.
The idea is to add interest to your photograph by framing your main subject inside another frame. This isn’t always possible, of course, but if you keep your eyes open for opportunities you will start to notice them more often.
Windows and doors are one of the most accessible frames for this technique because you find them everywhere. If you have a wonderful view from your window, try including the window in your image. Remember you can look from the inside out or from outside looking in.
This gazebo provides an arch that frames the garden and castle outside.
The next time you are out photographing, keep one of the above elements of design in mind and go looking for it. Being purposeful about your composition is how you will progress from taking snapshots to making great images.
If you’re ready to dive deeper into composition and the elements of image design, be sure to check out Anne’s eBook The Compelling Photograph – Techniques for Creating Better Images.
The post How to Compose Photos with Impact Using Elements of Design by Anne McKinnell appeared first on Digital Photography School.
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Author: Anne McKinnell
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