By Marie Gardiner

Photoshop Actions
Getting Started With Photoshop Actions
Harry Guinness

6 Photoshop Actions That Add Dramatic Light

This is the image I’ll be using on all the actions, so that you can see the differences of each accurately:

Image licensed via

Relighting is a post-production technique that takes a base image and alters the appearance of the lighting sources, or even adds the appearance of new lighting sources altogether, to improve the image.

Sometimes the light in a photograph just isn’t what you want it to be.
Maybe you’re working on a stock image, the desired look changes after the shoot, or you need to fit a portrait from one
location into the background from another. There are many
reasons why a perfectly servicable photograph in one scenario might not
work in another. Relighting is often just the trick to save the day.

Last time we looked at relighting and how to add natural-looking effects with Knoll Light Factory. Here we’ll look at six Photoshop actions that add a more dramatic lighting look to your
portrait photographs.

Wait, What is an Action?

An action is a file containing instructions for Adobe Photoshop. Running an action performs a series of automated steps on an image. Actions usually have more than one preset within them,
designed work together. They also often contain points along the way for user input. Using an action as part of your workflow can be a
great addition, and save you time. Although many actions seem like ‘one-click’
solutions, it’s important to still treat the image in the way you usually would
and have a plan for it. I like to think of
actions as an addition to your workflow, not something to solve all your post-production problems.

For a more in-depth introduction to actions, see Harry Guinness’s useful tutorial,
Getting Started With Photoshop Actions.

  • Photoshop Actions
    Getting Started With Photoshop Actions
    Harry Guinness

6 Photoshop Actions That Add Dramatic Light

This is the image I’ll be using on all the actions, so that you can see the differences of each accurately:

portraitImage licensed via PhotoDune

All of the actions in this tutorial are available on Envato Market.

1. Soft Focus

Soft Focus by Sevenstyles costs $6. Here is the instructional video:

Watching the video for each action helps a lot, but the basics are to make sure your image is RGB Colour and 8 bit.

Applying the Action

Create new layer called ‘brush‘. On this layer, paint over in any colour, the bits of image you’d like to keep in focus. In this case, I want the face and part of the neck to
remain sharp.

paint over areas of sharpnessPaint over the areas you wish to remain sharp

Run the action.

result of soft focus actionThis is the result after running the ‘Soft Focus’ action

This is the result after running the action, so obviously
some tweaking is needed here.


The menu is broken down into colour and soft focus. Let’s
look at tweaking some of the soft focus options to get a better result. Mostly the background blur and bokeh textures are the things
obscuring the image, so I’ve scrapped some of the larger bokeh and dipped the
opacity on the background blur layer:

after changes

In the colour folder, there are a number of options, which
in essence really do just change the colour, so it’s a matter of preference.
Each of these can then be tweaked again though for finer tuning. There’s also
an adjustment mask for brightness, contrast, colour tint and saturation.

The colours are mostly pastels with a couple of nice
complimentary colour gradients thrown in. They’re quite heavy handed so chances
are you’ll need to pull them back a bit on your image.

cool tone

Here I’ve dipped the overall saturation for a softer look
and although I like the pink tone, I’ve gone for a cooler one to show you the
difference to our earlier image.

You can use more than one in conjunction with each other but
I wouldn’t recommend using too many, piling lots of textures and fill layers on top of one
another will really degrade the look of the image.

Finally, I’ve added some contrast using the layer within the
colour folder and some overall sharpening using the layer within the soft focus
folder. Remember, you can use the mask on each layer to brush over areas to
reduce or increase the effect.

Soft Focus: Before and After

Before and after ‘Soft Focus’

2. Soft Focus 2

Soft focus 2 by Sevensyles costs $6. Here’s the instructional video:

Once again your image will need to be RGB Colour and 8 bit.

Applying the Action

Create new layer called brush and paint over in any colour the parts of the image you want to keep. This time use a soft brush to keep the edges from being hard, or you’ll end up with a rough line when you run the action.

colour image

Half way down the image will be the transition point from light to dark, so you may want to avoid colouring the very bottom part of your image in so that it fades to black.

after action has runAfter running ‘Soft Focus 2’

After running the action, you’re left with a number of options grouped together


Soft Focus 2 group is where we’re going to look, and
particularly at the reveal normal photo mask.

reveal normal photo

I think the action has left this a
little too dark, so I’m going to use a soft brush with low opacity to just brush
back in some of the detail:

after brushing back some detailAfter brushing back some detail

Next I want to bring a little detail back into the background by
brushing over the ‘background colour’ mask

background detail

In the colour folder, as well as adjustments to brightness,
contrast and saturation, there are a number of colour options, each of which
then break down again so you can really tweak until your heart’s content.

after colour adjustmentAfter a slight colour adjustment

Soft Focus 2: Before and After

before and after soft focus 2Before and after ‘Soft Focus 2’

3. Soft Focus 3

Soft Focus 3 by Sevensyles costs $6. Here’s the instructional video:

We’ve had Soft Focus and Soft Focus 2, how could we not have 3?! Once again for this action, make sure your image is RGB Colour and 8 bit.

Create a new layer called ‘brush‘ and paint over your subject; this doesn’t need to be perfect.

paint over subjectPaint over your subject; this can be rough

Run the action.

after soft focus 3After running Soft Focus 3

The result without any tweaking is quite soft and very
orange. Let’s have a look at our options.


Essentially this is broken down into warm and cool casts with an overall contrast layer. The warm 1 option is selected alongside the cool 4 and as always, the folders can be opened again to break down the action into even more parts.

Unlike the previous actions, the folders here are broken up into many more layers inside. Here’s an example of warm 3:

inside menu

As you can see you really could go on forever with tweaking here and there. I think
the best option when faced with so much choice is to choose your base folder
and decide what you want from it. So from the example picture right now, it’s
too bright, too blurred and there are too many warm tones, so that’s what I
want to try and fix.

Have a plan for your image and then address the layers that
help you work on that plan. The colour fill layers tend to be the things that
have the most impact in these type of actions, so try and find those and dip
the opacity accordingly, or paint out over the layer mask.

adjustmentsAfter some adjustments

Above,  I’ve dropped the opacity on a lot of the colour fill
layers, removed some of the edge glow and blurring effects and brought some
definition back to the face. This is still only using ‘Warm 3 ‘ so now I’ll add
a ‘cool’ layer and adjust in the same way I did with the warm.

Remember, if you’re using more than one part of the action
and they’re designed to do similar things, you may well be repeating things
like sharpening and contrast – so it may be best to hide those duplicate layers
rather than piling too much on.

added cool layerAn added ‘cool ‘ layer

Soft Focus 3: Before and After

before and after soft focus 3Before and after ‘Soft Focus 3’

4. Smokey Scene

Smoky Scene by Hemalaya1 costs $4.

This action requires you to load in some brushes. Place the .ABR file that comes with the action, into the Brushes folder found in the Adobe folder of Program Files if you’re a Windows user, or Applications if you’re on a Mac. Then load your brushes

load brushes

Create a new layer called ‘object‘ and brush over your subject on that layer.

brush over subject

Run the action.

smokyAfter Smoky action is applied.

There are a couple of weird joins on the background which could be down to my selection or an anomaly on one of the action’s layers. It’s easily fixed with a quick clone at the end.

Let’s look at the menu options for this action.

menu options

As well as the masks, which make it easy to adjust the
effects, each smoke effect is also available in your brushes menu, as you just installed them.


If you want to add more effects, then it’s easy to create
a new layer and brush those on, you could even experiment by bringing in
different colours that way, too.

Personally I’m not a fan of the yellow fringe, so I’m going to tone that way down in the ‘object in fire’ folder. 
I’ll also lower the gradient opacity to lessen the orange/red effect on
the model and ditch the ‘sparks’. 

smoky scene finishedThe image after tweaks

I found the smoke layers tricky, there are
almost too many of them for you to do anything but make an opacity change.

Smoky Scene: Before and After

before and afterBefore and after Smoky Scene

5. Glam

Glam by Sevenstyles costs $5. Here’s the instructional video:

Glam doesn’t require any pre-brushing but it does have a
run setup’ folder as part of the group. Running this will give you the choice
of adding a glow, desaturating the image, darkening it or lightening it. Each
numbered action also has these as an option (deselected) once you run it.

After that, Glam has 40 presets. That’s far too many to look at
here, but we’ll go for one at random, number 20:

glam preset 20Glam’s number ’20’ preset.

The other presets are a variation of this: multi-coloured
zazz added to your images! The effect is made up of a number of colour gradient
to transparent layers, one on top of another. Each comes with a layer mask so
you can brush over the colours to change the effect


As pretty as the colours are, they’re incredibly distracting
from our model and so the aim with this image and action is to bring the
definition back to the face, while keeping our punchy colours. I’m going to
brush over the masks with a soft, low opacity brush to remove some of the
bright colours

after adjustmentsAfter adjustments

That’s better, but only one example. Let’s look at another; number 42.

number 42 action

You can see it’s much the same problem again although less
on the face this time. The same method applies, brushing with a low opacity
soft brush until you get the desired effect.

after adjustments

Glam: Before and After

before and after glamBefore and after ‘Glam’

6. Legendary

Legendary by Sevenstyles costs $6. Here’s the instructional video:

As with Sevenstyle’s other actions, make sure your image is RGB Colour, 8 bit and start with a new layer called ‘brush‘.

When you run the action, it will stop part way to ask you to create a light source.

light source

Use the shape tool or pen tool to draw in where you’d like
your light source:

draw a light sourceDraw a light source

When you’re happy, you can go ahead and hit play again on
the action and it’ll resume.

hit playafter actionThe result after the action has completed

Yours may look different depending on the light source
that’s been drawn in, but you can see it’s created a ‘ball’ of light from my
shape circle at the top left.

Once again there are many options including ten colour
changes, amendments to ‘glow’ and ‘dust’, the background texture, essentially,
and some overall changes to things like contrast, sharpening etc. 

This picture
is far too orange coloured for me now so I’m going to tone that right down and
make it a little more neutral.

new colour option

This is colour option nine with the opacity lowered a little.
I’ve also reduced the glow, increased sharpness and contrast around the face and
toned down the textured background.

You can see the result is a much paler, stylized look to the
original, although we’ve kept some of the colour and toning from the
background, so it blends much nicer with the model than the previous ‘orange’
look did.

Legendary: Before and After


As I mentioned at the start, I believe actions are something
to compliment your editing process, not replace it. They can often be a good
place to start, deciding what you want from an image, seeing how the action
works and then breaking each layer down until you’ve achieved that.

The actions in this article are for the most part (with the
exception of Glam), very flexible—there’s a lot you can do and many outcomes
you can achieve by using them. These actions are particularly suited to images
of people and in particular studio style portraits. If you’re aiming for a
stylised, ‘wow’ look then they’re right on the money. If you’re looking for
something for a bit more natural and subtle then you have to be prepared to
dive in a little deeper and spend time adjusting each layer and mask to get the
right look.

Read more here:: How to Relight Portraits in Post With These 6 Dramatic Photoshop Actions